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Marya Zeleska 001
Marya Zeleska
Aliases: Countess Zeleska
Countess Marya Zeleska
Continuity: Universal Monsters
Notability: Antagonist
Type: Artist; Countess
Gender: Female
Race: Vampire
Location: England
Castle Dracula, Transylvania
Relatives: Dracula [1]
Brides of Dracula [2]
Alucard [3]
Katherine Caldwell [4]
Claire Caldwell [5]
Colonel Caldwell [6]
Status: Deceased
Died: 1931 [7]
First: Dracula's Daughter (1936)
Actor: Gloria Holden

Countess Marya Zeleska is a fictional vampire and the eponymous antagonist of the 1936 film Dracula's Daughter by Universal Pictures. She was played by actress Gloria Holden.

Biography[]

The true story behind the woman who called herself Marya Zeleska is shrouded in mystery. It is not even clear whether Marya Zeleska was her actual name or not, or whether she could lay legitimate claim to the title of Countess. Due to several incongruities with known information about her background, anything relating to Zeleska's origins should be approached with a healthy degree of skepticism.

It is believed that Countess Zeleska was a vampire, who claimed to be the daughter of the infamous Transylvanian nobleman, Count Dracula, himself a vampire of some notoriety. Whether Zeleska was Dracula's daughter by birth or his vampiric daughter as well is also cause for speculation. According to occult scholar Professor Von Helsing, Countess Zeleska was over one-hundred years old.

In 1931, Zeleska learned about the death of her father at the hands of Van Helsing at Carfax Abbey in Purfleet. Journeying to England from Transylvania with her brutish valet Sandor, she tracked her father's remains to a jail house in Whitby. Using a mystical ring to hypnotize a guard named Albert, she stole Dracula's corpse and brought it deep into the woods whereupon she cremated it in a funeral pyre. Zeleska believed that with her father's spirit consigned to Hell, her own spirit was now free. Forlorn at the notion of being a vampire herself, she felt a renewed sense of willpower, and was committed towards exorcising the vampire curse from her body. Sandor however, embraced Zeleska's darker passions, and tried to discourage her from abandoning what he believed to be her true supernatural heritage.

Zeleska and Sandor rented a third-floor studio above Brook's Book Store in Chelsea, and she began plying her trade as an artist. Her temperament was still dark and forlorn however, and she knew that forsaking her vampiric lusts would be next to impossible. As she feared, the thirst for blood overwhelmed her, and she wandered into the fog-enshrouded streets of the city to claim her first victim - an unnamed well-dressed Londoner.

A few nights later, Marya attended a function at the mansion home of a socialite named Lady Esme Hammond. Hammond had purchased one of Zeleska's paintings and hung it in her home. While there, she met psychiatrist Doctor Jeffrey Garth and his assistant Janet Blake. Learning of his profession, she had hoped that perhaps he might be able to help alleviate the symptoms of her nocturnal obsessions. Marya did not yield too much information to Garth, but he did agree to give her a private audience to help her work through her difficulties.

A few nights later, Marya was in her studio when the need for blood arose once more. She sent Sandor out to find a model willing to pose for her. Sandor brought a young woman named Lili back to the studio and Marya asked her to undress. Before the session could begin however, something about the situation began to make Lili nervous and she asked to leave. Zeleska bit her upon the throat, drawing large volumes of blood. Lili fell unconscious and was later admitted to St. Mary's Hospital (which is where Jeffrey Garth worked).

Countess Zeleska made an impromptu appearance in Jeffrey's office one evening to discuss further treatment. He wanted to try an experimental process of hypnosis upon her, but Zeleska refused. Janet Blake was keen to note that Marya's interest in Garth was more than that of just a simple patient. She made every effort to distract Jeffrey's attentions from Zeleska whenever she could. At this time, Marya learned that the hospitalized Lili finally succumbed to her injuries.

Zeleska gave up hope that Doctor Garth could ever effect a cure for her. She kidnapped Janet Blake and took her away to her father's castle in Transylvania. Garth, now knowing the truth about the Countess, accompanied his old mentor, Professor Von Helsing, and tracked Marya and Sandor back to Transylvania. When Marya threatened to turn Janet into a vampire, Doctor Garth offered up himself as substitute. From a nearby parapet at the top of the castle, Sandor fired an arrow at the two just as Zeleska was readying herself to bite Jeffrey. It is not exactly clear who his intended target was, but the shaft struck the Countess in the heart, killing her.

Notes & Trivia[]

  • Marya Zeleska is the first female lead in a Universal Pictures horror film and the first female supernatural creature to serve as the central antagonist in such a film.
  • Marya Zeleska was quite skilled at playing the piano.
  • Some film historians have attributed a homosexual quality to Marya Zeleska. While this may be something of a stretch, there is a heightened sense of intimacy between Zeleska and the model Lili when she is asking her to disrobe. However, these connotations are extremely subtle and is not enough to divert the viewer from the fact that she developed a romantic interest in Jeffrey Garth.
  • During the party scene, Lady Esme Hammond offers Marya a drink, to which she replies, "I never drink... wine". This is a nod to her more infamous father's line in Dracula when offered a drink by Renfield in the first act of the film. Oddly enough though, Marya is then seen holding a cup of tea only moments later.

Incongruities[]

  • Is Marya Zeleska truly the daughter of Dracula? The movie does not clarify whether or not she is Dracula's birth daughter, or merely just his vampire daughter; or perhaps, both.
  • As the daughter of Dracula, Marya Zeleska's nationality would be Transylvanian. However, at Lady Esme Hammond's ball, she is introduced as Hungarian. This could be explained in that Zeleska was Hungarian on her mother's side, or perhaps she was simply lying.
  • Professor Von Helsing posits that Marya is one-hundred-years old. How he came upon this summation is unclear, and he appeared to be simply guessing her age. If there is any validity to Von Helsing's claim, then this presents an entirely new issue. As he has also stated that Dracula is over 500-years-old, it would be impossible for him to have a biological daughter who is only 100. If the family lineage is intended strictly a vampiric relationship however, then does not present a problem.
  • Other than Zeleska's victims possessing the trademark puncture wounds upon their throats, there is absolutely no evidence to suggest that Marya is actually a vampire (other than her say so). She exhibits none of the traditional vampire characteristics such as bearing fangs, transforming into a bat, or even hypnosis. To accomplish this latter feat, Marya used a ring to bewitch her intended targets.

See also[]

Media

The World of Dracula

Universal Monsters

External Links[]

References[]

  1. Father, though it is unclear whether Dracula is her biological father, or just her vampiric father.
  2. It is known that Dracula had three vampire women as "wives" prior to his first death in 1931. Whether any of these women shared any familial connection with Maryza Zeleska is unknown. One of them may have been her biological mother.
  3. Brother; Again, the exact nature of Marya Zeleska's relationship to the man who called himself Alucard, if any, is unclear. Alucard claimed to be the "Son of Dracula", but as he was a vampire as well, the title could refer to simply being his vampiric son, rather than a biological child. It is believed that Alucard is older than Marya Zeleska.
  4. Sister-in-law; if one is to accept Alucard as Marya's brother, then by extension, this makes Katherine Caldwell her sister-in-law. It is entirely possible that the marriage between Alucard and Katherine was annulled shortly following each of their deaths in Son of Dracula (1943)
  5. Sister-in-law, removed. This again assumes that one accepts the relationship between Marya Zeleska and Count Alucard.
  6. Uncle-in-law. This again assumes that one accepts the relationship between Marya Zeleska and Count Alucard.
  7. Although the film in which Marya appears was released in 1936, the events of the movie take place immediately following the events of Dracula. Fashion styles, automobile models and the level of technology suggests that both films take place in the modern era.
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